I received in 2002 the Engineering Degree in Electronic, Telecommunication and Computer Science from CPE-Lyon (France) and the MS degree in Image Processing from the university Jean Monnet of St-Etienne (France). In 2005, I obtained the Phd degree in computer science from the the University Claude Bernard of Lyon (France) then from february to april 2006, I was postdoctoral fellow at Signal Processing Institute (EPFL) in Switzerland. Since September 2006, I am associate professor et INSA-Lyon in the LIRIS Laboratory, working in the M2DisCo research group. I have defended my habilitation in 2013. My research interests include the following fields of Computer Graphics: 3D mesh analysis, 3D data transmission and streaming (including compression and watermarking), Web 3D, Perception and Human factors for computer graphics, and object recognition and detection. An IEEE senior member, I have been chair of the Technical Committee on Human Perception and Multimedia Computing from the IEEE SMC society  (2013-2017). In 2016, I was invited professor at the LIGUM lab of the University of Montreal (8 months). Since 2014, I serve on the editorial board of The Visual Computer Journal (2014-now).

My Google Scholar and DBLP profiles.

News:

• The MEPP2 platform has been released on GitHub. It includes source code of MSDM2 as well as progressive mesh compression.
• We are looking for Master students for the ANR PISCO project, contact me if you are interested.
• Program co-chair for the Eurographics Workshop on 3D Object Retrieval 2019.
• Program committee member for the Eurographics 2019 Full Papers program.
• A Psychophysical Evaluation of Texture Compression Masking Effects
  Guillaume Lavoué, Michael Langer, Adrien Peytavie, Pierre Poulin, IEEE Transactions on Visualization and Computer Graphics, accepted, DOI: 10.1109/TVCG.2018.2805355, 2018.
• Visual Attention for Rendered 3D Shapes
  Guillaume Lavoué, Frédéric Cordier, Hyewon Seo, Mohamed-Chaker Larabi, Computer Graphics Forum (Proceedings of Eurographics 2018),  Vol. 37, No. 2, 2018. [Project page]